Anni Albers, Orchestra III from the Connections portfolio, 1983, screenprint on paper, 26 ¾ × 18 ⅞ inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.03.65H. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York. 
Gustav W. Von Schlegell, Porch by the Sea, 1941, oil on canvas, 27 × 21 inches. Asheville Art Museum, gift of Martha H. & Melvin S. Horowitz, 1999.13.21. © Estate of Gustav W. Von Schlegell. 
Josef Albers, Formulation : Articulation, Folio I, Folder 1, 1972, screenprint on paper, 15 × 40 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.04.65A. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York.
Josef Albers, Formulation : Articulation, Folio II, Folder 10, 1972, screenprint on paper, 15 × 20 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.05.65J. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York.
Josef Albers, Formulation : Articulation, Folio II, Folder 11, 1972, screenprint on paper, 15 × 20 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.05.65L. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York. 
Josef Albers, Multiplex B, 1948, woodcut on paper, 12 × 8 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.01.65. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York. 
Anni Albers, Triangulated Intaglio from the Connections portfolio, 1983, screenprint on paper, 14 ⅜ × 14 ⅜ inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.03.65G. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York.
Josef Albers, Formulation : Articulation, Folio II, Folder 13, 1972, screenprint on paper, 15 × 40 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.05.65M. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York.
Josef Albers, Formulation : Articulation, Folio II, Folder 16, 1972, screenprint on paper, 15 × 40 inches. Asheville Art Museum, Black Mountain College Collection, gift of The Josef and Anni Albers Foundation, 1997.01.05.65P. © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York.
Pete Smith, Color Boxes #8, 1976, pastel on paper, 25 × 29 inches. Asheville Art Museum, Museum purchase, 2001.24.24. © Pete Smith. 
Kenneth Noland, Step, 1965, acrylic on canvas, 31 ¼ × 31 inches. Asheville Art Museum, Black Mountain College Collection, gift of Joyce Cole, 2001.24.24. © Estate of Kenneth Noland/VAGA at Artists Rights Society (ARS), New York. 
Charles Munday, Was It As Close As That?, 1975, lithograph on paper, 28 ¼ × 22 ⅞ inches. Asheville Art Museum, gift of Connie & Eric Grosse, 1989.3.61. © Charles Munday. 
Marko Spalatin, Oblik IV, circa 1975, screenprint on paper, 24 ½ × 20 inches. Asheville Art Museum, gift of Mr. & Mrs. Merritt Rose, 1999.24.64. © Marko Spalatin. 
Sol Lewitt, Untitled, 1982, screenprint on paper, 25 ⅞ × 26 inches. Asheville Art Museum, gift of Jayne & Herbert Gallinger, 2000.11.64. © Sol LeWitt/Artists Rights Society (ARS), New York. 
Tom Dimond, Shamus Tabriz, 1975, acrylic painting on canvas, 49 × 49 inches. Asheville Art Museum, Museum purchase with funds provided by the NEA, 1976.14.24. © Tom Dimond.
